A houseboat. Finegan Fine Page 14
   I paid them well but they wanted more, had a
   better offer. I’ll pay you plenty. You’d be set
   for life after this all blows over. I’m worth
   billions. . . Billions.
   Finegan again holds his ground.
   I told you, paper’s no good. That includes
   stocks, bonds, cash. So what you gonna do now?
   How you gonna live?
   The former billionaire is deflated but still trying to act in charge.
   You tell me. What’ll it take?
   The former billionaire is jerking his chin at the young women lounging
   in the corner, indicating they should go over to Finegan. Seeing them
   start to rise from their chairs, Finegan rejects the offer.
   And I ain’t interested in that either. There’s
   plenty of tail being offered, but food is worth
   more. You can’t beg, borrow, or steal these
   days. Those growing food work too hard for what
   they get. . . But there is one thing you can
   do.
   The former billionaire is fuming again, but glances up through angry
   brows at Finegan, too astute at business to pass up a tip. Finegan
   says,
   106
   Too late to start a garden but there’s grass
   and weeds to eat. Fish or set traps if you know
   how. And you know, rats aren’t half bad in the
   stew pot.
   Joey can’t hold it in any more and break out in a guffaw, then slaps
   his hand over his mouth and runs up the stairs. Finegan follows him,
   barely suppressing a smile himself.
   ______________________________
   The houseboat is pulling away from the resort shoreline. Up on the
   hill, in the former golf course, two young women are running after
   sheep, their hands outstretched, trying to corral a lamb. The sheep of
   course are way ahead of them, flowing like water up and over the hill.
   107
   Rust Belt
   A factory is on the horizon, partially flooded. Metal cranes and
   storage silos are among the metal-framed factory buildings. The windows
   are smashed and some buildings tilted sideways, but most of the
   structures are intact. The parking lots are underwater, only some
   gateposts and the rooftop of a guard hut visible sticking up above the
   water. Joey is on the roof of the houseboat, taking measure of the
   clearance over the parking lot fence. He says,
   A good 4 feet I think.
   The main factory building has a slightly sloping flat metal roof, with
   the walls coming up over the roof edge for a couple feet as a guardrail
   around the edge of the rooftop. The rooftop is covered with greenery,
   some kind of rooftop garden, with wines hanging down over the edges of
   the roof. There is the sound of a metal door opening on the roof, the
   access door to the rooftop from a stairwell.
   A bent little man emerges from the stairwell door, letting the creaking
   door close slowly by itself. He heads over to a row of what looks like
   cabbage, bending over it to weed the row, not noticing the approaching
   houseboat. The gardener is bent, a back curved from years of working in
   this position and from malnutrition, though he is not that old. He has
   black hair and pale skin, a gaunt look, and appears to be small boned.
   All is still except for the sound of water splashing against the side
   of the houseboat.
   Finegan hops up to the houseboat rooftop, standing next to Joey, for a
   better look. Finegan calls out a greeting.
   Yo, the gardens! Good day to you. Finegan Fine
   here, trader. . . How you manage that, on the
   rooftop?
   The gardener freezes at the sound of a voice so close, and so
   unexpected. He straightens up, as much as his bent back will allow, and
   looks in Finegan’s direction. Then he puts his handful of weeds plucked
   from the row down, and shuffles over to the rooftop edge. The gardener
   puts a hand up to shield his eyes against the morning sun, taking a
   moment before he responds in a high nasal voice.
   What kind’a contraption is that?
   Finegan replies,
   It’s a houseboat. Floats. I got a water wheel
   in the back to push it along. Slow, but steady.
   The gardener says,
   A trader you say?
   108
   To which Finegan pitches his line.
   What might you need?
   ______________________________
   The houseboat is tied to a post at the corner of the factory rooftop. A
   knotted rope ladder is hanging down onto the deck of the houseboat.
   Finegan and Joey are being given a tour of the rooftop gardens by the
   gardener.
   . . We seen the water’s a’rising and dug some
   good soil before it was covered. Those of us
   ain’t never had no land in our name. Cain’t run
   off with the house, but them landlords not
   gonna miss some soil from a flooded yard. . .
   We use rainwater here.
   The gardener is motioning along the rows as they walk.
   Tomatoes do well . . greens of many kinds . .
   Potatoes if you keep ‘em wet . . can’t get
   those carrots to grow unless they’s the stubby
   kind . .
   They come to the watering system where there are hoses with holes
   running down the length of the soil troughs, in the center of each
   trough. There is a water tank on the roof which had been used by the
   factory, raised above the roof so there is water pressure.
   This here’s how we water. Wears me out hauling
   the rainwater up there every time, though.
   Collects in the drains over there, which’n we
   blocked.
   The rooftop door opens again and the gardeners’s wife and 10 year old
   daughter emerge. The wife has more meat on her bones than her husband,
   though it is clear she has lost most of her fat in recent months. Her
   long skirt is held up by cloth strips up over her shoulders like
   suspenders, sewn onto the waist front and back. The daughter is scrawny
   and wears a combination of her parent’s clothing, one of her father’s
   shirts and a pair of her mother’s pantaloons, also held up by
   suspenders. Her pantaloons are tied at the ankle, they are so
   voluminous. They have dressed for company, and have brushed their hair
   for the occasion too. The gardener turns toward them and to introduce
   them to Finegan.
   My wife and darlin daughter.
   Finegan has been looking around, appraising the setup.
   We might ought fix a pumping system to lift
   that rainwater. Can you give me a tour to look
   for parts?
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   The gardener says,
   They took ‘bout everything. Common.
   ______________________________
   The gardener is walking Finegan through their living quarters on the
   floor below the gardens. He is walking just ahead of Finegan, gesturing
   to the right and left, turning to walk backwards at times, pointing at
   this and that.
   We brung just the personals. Dragged a couple
   mattress. Plain livin but we’re making do.
   They return to the stairwell, as the gardener wants to show Finegan
   that the lower floors are inaccessible. Finegan follows the gardener
   down to the next landi
ng where the water level is visible.
   . . risen to this level, and lately slowed . .
   Finegan points to the rust just under the water level.
   Salt water . . salt water is corrosive. This
   plant was never built for salt water. . .
   Finegan turns to face the gardener. He barely gets his words out before
   the building starts to collapse.
   You had any settling problems?
   There is a sound of metal screeching onmetal. The stairwell shutters
   and both men lose their footing.
   ______________________________
   A frantic scene ensues, as the gardener and his family are evacuating.
   The wife and daughter are tossing bundles of personal items out the
   window of their living quarters down to Joey, who is on the roof of the
   houseboat. Finegan is on the roof of the factory with the gardener,
   trying to harvest his crop. Finegan drops a rope with hook down to
   Joey.
   Snag me that bundle of plastic bags . . thanks.
   The gardener is harvesting potatoes, shaking the soil off when he
   wrenches a plant up out of the trough, and plucking potatoes off the
   roots. He tosses the filled plastic bag onto a pile to be lowered to
   Joey. Finegan is doing the same to carrots, starting to tear the greens
   off them. The gardener cries out,
   No, no, leave some! I’ll replant ‘em for the
   seed. . . Gotta have the seed.
   Finegan is hooking potatoe bags on the hook used to lower produce from
   the rooftop to Joey. He swings the bag of potatoes out over the
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   houseboat rooftop and holds the rope while Joey catches the swinging
   mess. Joey says,
   Got it.
   The wife and daughter are now climbing out the window of their living
   quarters below the factory roof, the daughter dropping down and then
   reaching up to help her more portly mother, standing beneath her to
   soften her fall. Her mother says,
   Child! Out’en the way! I’ll squash you flat.
   The wife falls on her butt, but rolls to stand up and brush herself
   off.
   Finegan and the gardener are now harvesting green cabbage, cutting this
   off at the root and discarding the brown and tattered outer leaves. The
   gardener cries out again,
   Leave that’en. I’ll replant for seed. . . Just
   those half dozen will do.
   They have a pile of bagged vegetables at the side of the factory roof,
   ready to be lowered down. Just then the sound of metal screeching again
   cuts through the air, as the factory visibly shutters and lowers again
   by a few feet. Only inches remain until the flood waters will pour over
   the rooftop guard walls.
   Finegan rushes over to the pile of plastic bags packed and tied and
   ready to be lowered. He hooks and swings this to Joey as though they
   only have seconds to spare. Joey signals Finegan as soon as the hook is
   clear.
   Got it.
   The daughter is now helping Joey, moving the bags to the edge of the
   roof and out of his way, and lowering the bags into her mother’s eager
   hands during the off moments.
   The water starts lapping over one edge of the rooftop guard. The
   gardener rushes over to the far side of the factory rooftop, tearing
   off his shift. He picks seed shoots from carrot and cabbage plants
   being used to grow seed and ties them into his shift, tying the sleeves
   together so it is a bundle. He staggers and sloshes back to the
   houseboat side through the rising water and tosses this into his
   daughter’s hands.
   Finegan is hooking the harvested and bagged tomatoes, lowering them
   carefully rather than swinging them out.
   These’ll smash. Tomatoes.
   The wife comes over to the side of the houseboat deck to catch them.
   Finegan turns to the gardener.
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   That it?
   Just then, the factory settles yet again, accompanied by the sound of
   screeching metal and splashing water, putting both Finegan and the
   gardener in the water. Finegan and the gardener climb onto the
   houseboat and stand, dripping web, looking over the flooded roof.
   Along the sides of the factory roof the vines holding summer squash can
   be seen bobbing up. The squash on the surface is bloated and yellow,
   oversized and almost rotting in appearance. The gardener cries out,
   The squash!
   He dives into the water and swims along the bobbing vines, plucking the
   overripe summer squash and tossing them to Finegan. Several of them
   shatter when caught.
   Arrrrrr! These are rotten!
   The gardener’s wife rushes up to collect the mess in a basin. She says,
   This is seed! You gotta rippen it full.
   ______________________________
   The gardener and his family are standing at the end of the gangplank.
   Finegan has donated his rusty wagon to the family, and it is piled high
   with bags of vegetables and their personal possessions. Other bags and
   bundles are piled around their feet. Finegan strides across the
   gangplank with the packet of seeds the woman at the old folks home had
   given him. He hands this to the gardener.
   Joey is right behind him on the gangplank, one of the remaining
   pumpkins in his hands. He hands this to the gardener’s daughter.
   Finegan says,
   I gather pumpkin wants a lot of room, but now
   you’ll have the room.
   The gardener is thanking Finegan.
   Don’t know what I’d a done without y’all
   stopping by.
   But Finegan says he was part of the problem.
   It was no lucky coincidence. Twas my weight
   that tripped the balance. But it was gonna go
   anyhow. . . Appreciate the potatoes and cabbage
   and all.
   ______________________________
   Finegan has the portable camping grill fired up with a small wood fire,
   a deep pot on the grill filled with burbling hot water. The lid is off
   the pot and he is brushing some chopped vegies off a cutting board into
   112
   the pot - carrots, an onion, several potatoes, and some cabbage. The
   houseboat is drifing offshore from where the gardener’s family had been
   dropped ashore. Finegan glances in that direction as he settles back
   onto a box, munching on a raw carrot, contemplative and exhausted. The
   vegetable bins behind him are stuffed with the new produce.
   Barney comes up to sit nearby, his nose in the air, sniffing the
   boiling vegie stew. Finegan hands a raw carrot down to Barney, who lays
   down to chew on it contentedly.
   113
   New Leaders
   The houseboat is peddling along between the shoreline and an immense
   island formed by the rising water. There appears to be water on at
   least the three sides of the island that they can see. Joey brings
   Finegan a map while he pedals along, confused about their location.
   Finegan gets off the bike seat and comes to comb over the map with
   Joey, who has spread the map out on top of a box at the rear of the
   houseboat. Their heads are together over the map, while Finegan runs
   his finger along the Ohio River.
   I think we’ve going up the Ohio by mistake.
   Hard to tell. All 
one big watery mess. . . I’m
   thinking more and more these days about heading
   back. Least I knew what I was looking at.
   In the background they hear a drum set being played, then a saxophone
   bleating a few shrill notes. Finegan and Joey turn their heads in the
   direction of the island. Now they hear a guitar being strummed and
   tuned. Finegan and Joey look at each other and smile.
   ______________________________
   Finegan and Joey are going over the rise of a hill, walking along a
   dirt road lying between fallow fields. A flea market is laid out in a
   pasture, dozens of blankets or tarps spread out on the ground with
   wares laid out for inspection. Some hold pots and pans, dish sets with
   many of the dishes or glasses chipped or cracked, incomplete tableware
   sets, racks of used clothing for both children and adults, hand tools,
   bags of apples and onions and nuts, chickens and roosters in cages, a
   calf, bicycle parts, a used shoe display, non-battery key-winding
   clocks including a large coocoo clock, a hair salon where a hairdresser
   is snipping away at someone’s head, and a display of hubcaps which is
   getting zero attention.
   On one side a band is being formed, with a drum set, sax, guitar, a
   violin, harmonica, and pebbles in a tin can. The band members are
   trying out various songs, this or that member suggesting a tune and
   playing a bar, then another having an opinion. Finally they settle and
   start to play “Happy Days are Here Again” in a disjointed manner.
   Finegan and Joey are walking slowly down between the blankets laid with
   wares until they come to the shoe rack. Joey stops and begins comparing
   his shoe up against some boots and tennis shoes for children his age.
   Finegan asks,
   Your shoes getting tight?
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